I’ve updated the gallery with our first batch of photos of Emily and husband John Krasinksi attending the 23rd Annual Screen Actors Guild Awards in Los Angeles. Emily is nominated tonight for Outstanding Performance by a Female Actor in a Leading Role for her amazing work in The Girl on the Train. Be sure to check back later for further coverage from the event.
I’ve updated the gallery with screen captures from the Blu-ray edition of The Girl on the Train–including special features from the disc. Emily gives a powerhouse performance as Rachel Watson, a woman struggling to overcome an her addiction and inner demons that stem from her divorce and inability to fall pregnant. Her life becomes even more complicated when she finds herself at the center of a murder investigation. The film itself is flawed, yet still enjoyable, and it’s a shame that her work has been largely overlooked during awards season due to the mixed critical response towards the film. I hope you enjoy the screen captures, and just a warning for those that haven’t watched yet, they do contain spoilers.
Many congratulations to Emily, who has received a BAFTA nomination for her excellent work in The Girl on the Train. The list of nominations were announced early this morning in London, and marks Emily’s first nomination from the academy since 2007, when she was shortlisted for the Rising Star Award and Best Actress in a Supporting Role for her work in The Devil Wears Prada. It’s great to see her performance receive the attention it deserves, even if the film itself wasn’t well-received. You can view the full list of nominations here.
Amy Adams, Arrival
Emily Blunt, The Girl on the Train
Emma Stone, La La Land
Meryl Streep, Florence Foster Jenkins
Natalie Portman, Jackie
THE WRAP – In June, news broke that Emily Blunt would not star in the upcoming sequel to “Sicario” titled “Soldado,” and screenwriter Taylor Sheridan has a simple explanation for it.
“That was my decision, and at some point I’m going to have to talk to her about it,” Sheridan said in a recent interview for TheWrap Magazine. “Her arc was complete … I couldn’t figure out a way to write a character that would do her talent justice.”
He added, “Look what she went through. It was a difficult role. Here I write this lead character and then I use her as a surrogate for the audience. I make her completely passive against her own will so the audience feels the same impotence that a lot of law enforcement officers feel, I drag her through hell, and betray her in the end. It was an arduous journey for the character, and for Emily. That character had arc,” Sheridan said.
“Sicario” also starred Benicio del Toro and Josh Brolin (who are returning for the sequel) and followed FBI agent Kate Macer (Blunt), enlisted by a government task force to bring down a Mexican cartel. The film was nominated for Best Cinematography, Best Original Score and Best Sound Editing at the 2015 Oscars. When the sequel was announced, it was also revealed that Denis Villeneuve would not return to direct and would be replaced by Stefano Sollima.
“What do you do next? She moves to some little town and becomes a sheriff and then gets kidnapped and then we have ‘Taken?’” he joked about Blunt’s role. “I had to tell the story that was true to this role, and I didn’t feel like I could create something with that character that would further that world that would do Emily’s character justice. That said, there could be room for Kate somewhere else down the road.”
“Soldado” is looking at a 2017 release.
NEW YORK DAILY NEWS – They threw the book at her.
By the time Emily Blunt agreed to a role in “The Girl on the Train,” the thriller by Paula Hawkins had already reached a full head of steam. It’s already sold 15 million copies worldwide in its first 19 months.
“I noticed everybody reading this book before I did,” Blunt told the Daily News. “I feel like I saw this title everywhere and it was on every subway, every plane I went on. We would go on holidays and you’d see people’s faces just buried into a copy of ‘The Girl on the Train.’”
And that meant all of those eyeballs would be glaring at any film adaptation of a novel that has drawn heady comparisons to both “Rear Window” and “Gone Girl.” That scrutiny would fall particularly hard on Blunt if she couldn’t properly play a perpetually drunk heroine, without stumbling into unintentional slapstick.
“That was my concern,” Blunt said. “I think there are pitfalls with it; that you can appear comical, lurching around like a drunk uncle. I think she needed to be frightening. It’s a very real disease and its claws are in her.”