VARIETY – “Edge of Tomorrow” is officially getting a sequel.
Warner Bros. is moving ahead with its follow-up to the Tom Cruise-Emily Blunt time-travel tale “Edge of Tomorrow,” with “Invention of Lying” scribe Matthew Robinson writing the script.
The 2014 original, directed by Doug Liman, grossed $370.5 million worldwide, including $100.2 million in the U.S. “Edge of Tomorrow,” based on Hiroshi Sakurazaka’s 2004 Japanese novel, “All You Need Is Kill,” takes place in a future where most of Europe is invaded by an alien race.
Cruise portrays a military public relations officer with no combat experience who’s forced by his superiors to join a landing operation against the aliens. Cruise’s character finds himself in a time loop that sends him back to the previous day every time he dies. He teams up with Blunt’s special forces soldier to improve his combat skills each day.
Cruise and Blunt have not signed on for the sequel, but are expected to do so. The film will be produced by Erwin Stoff, Tom Lassally, and Masi Oka, with Hisashi Sasaki exec producing. Liman will develop the untitled sequel with Robinson. Warner Bros. hired writers Joe Shrapnel and Anna Waterhouse to develop the project in 2016.
Robinson’s repped by WME and 3 Arts. The news was first reported by Deadline Hollywood.
VARIETY – As soon as her husband finished describing the story, which centers on a family struggling to stay alive in a world in which lethal creatures hunt down anyone who makes noise, Blunt was convincing him to slide behind the camera, as well as star in the picture. After reading his re-write of the script, she realized that “A Quiet Place” should be their first on-screen pairing. She wanted to play Krasinski’s wife in the film, a pregnant mother desperate to keep her kids safe in a menacing world. But there was a catch.
“I read his version of the script and after previously saying he should cast a friend of mine, I was like, ‘you probably should call her,’” remembers Blunt. “I need to play this part.”
Critics loved the finished film, praising its thrills and scares, and audiences agree. “A Quiet Place” dominated the box office last weekend, picking up a mighty $50 million. Two weeks before the film premiered, Blunt braved a storm to sit down with Variety in New York to talk about the film, her upcoming role in “Mary Poppins Returns,” and how she’s navigating Hollywood in the wake of the #MeToo movement.
Why did you want to play the part?
It represented my deepest fears in real life. It was something incredibly close to home for me, being a mother. I’m scared of being in a brutal world and not being able to protect my children.
Do you like horror films?
I never watched them. John did his research. He watched so many, and I was like I will not be watching any of them. I watched most of “Get Out” and then I panicked and couldn’t watch any more. I loved it, but films like that keep me up at night.
INDIEWIRE – Good things take time. Nearly 55 years after the original “Mary Poppins” dropped into theaters, care of Julie Andrews and her iconic umbrella, the film is finally getting a sequel, this one starring Emily Blunt as the eponymous nanny with a magical way of doing things. The film, “Mary Poppins Returns,” reteams Blunt with her “Into the Woods” director Rob Marshall, hinting that there will be no shortage of large-scale musical set pieces. Still, the biggest challenge for Blunt was the most obvious one: taking over such a beloved character, who also happened to be played by an equally as beloved actress.
“Rob Marshall sort of protected me from the idea that I felt like I was moving a boulder out of the way of this iconic role played by someone as iconic and as brilliant as Julie Andrews,” Blunt told IndieWire. “Ultimately, he allowed it to feel like an intimate process where I could just make her my own. It will be my interpretation of her, for better or worse.”
Set in Depression-era London, the film reintroduces the Banks kids — Jane and Michael, now adults — and picks up after a “personal loss” that has impacted both the siblings and Michael’s own trio of kids. Per the official synopsis, Mary uses her “unique magical skills” to help “the family rediscover the joy and wonder missing in their lives.”
The film stars Ben Whishaw as Michael and Emily Mortimer as Jane, along with Meryl Streep as Mary’s own “eccentric cousin” and Lin-Manuel Miranda as a lamplighting apprentice. Angela Lansbury, Julie Walters, and Colin Firth also appear, and original star Dick Van Dyke is reportedly on board for a cameo appearance.
“It’s beautiful. I’ve seen it,” Blunt said. “It’s absolutely magical, yet grounded and I think will hopefully stand alone as an independent feature. It’s the next chapter of Mary Poppins and I absolutely adored doing it.”
The actress didn’t rematch the original film during the process of making her own “Mary Poppins,” all the better to allow the character to become her own. “I tried not to be swayed by the details of what Julie did, so that I could really just have my own impression of her from the books,” she said.
IGN – The Edge of Tomorrow sequel will see both of the first film’s lead actors return, and it has a title – Live Die The Edge of Tomorrow sequel will see both of the first film’s lead actors return, and it has a title – Live Die Repeat and Repeat.
Speaking to Collider, director Doug Liman reiterated that the film’s two stars will make a return, and that the project is definitely still in motion:
“We have an amazing story! It’s incredible! Way better than the first film, and I obviously loved the first film. It will be called Live Die Repeat and Repeat. Tom [Cruise] is excited about it, and Emily Blunt is excited about it. The big question is just when we’ll do it. But it’s not an if, it’s a when.”
If you’re not up on Edge of Tomorrow’s slightly ludicrous set of titles, let me explain. The first movie was based on a Hiroshi Sakurazaka novel called All You Need is Kill. After a negative response to the word “kill”, the film’s title was changed to the somewhat abstract Edge of Tomorrow.
After the film failed to perform at the box office, its home entertainment releases put more emphasis on the tagline, “Live. Die. Repeat.”, leading some retailers to market it under that name instead. It seems as though a title’s finally stuck (and then become immediately confusing again for the sequel).
Liman has previously said that the new film will “revolutionize how people make sequels”, and has writing duo Joe Shrapnel and Anna Waterhouse attached to script.
We gave the first film a 7.5, saying it was a “time-travelling mind-bender that unfortunately isn’t quite the sum of its parts.” While it disappeared at the box office, the film went on to become something of a cult hit after heading into homes.